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Boatsheds, Skateraw
£1,500
30cm x 30cm
+ -
Hedgerow
£1,500
30cm x 30cm
+ -
Cookney Trees
£1,500
30cm x 30cm
+ -
Wild Atlantic Way I
£5,900
80cm x 80cm
+ -
Late Summer, Acquitaine
£1,600
20cm x 50cm
+ -
New Pond, Ury II
£1,600
20cm x 50cm
+ -
Autumn, Carse of Gowrie
£1,500
30cm x 30cm
+ -
Saturday, Kinsale
£1,500
30cm x 30cm
+ -
Atlantic Beach
£3,500
50cm x 55cm
+ -
Dusk, Glen Prosen
£1,500
30cm x 30cm
+ -
Tunnocks Tea Time
£2,300
40cm x 40cm
+ -
Hommage à Henri
£1,500
30cm x 30cm
+ -
Eilean Donan Castle
£1,800
30cm x 40cm
+ -
Springtime, Loch Morlich
£1,600
30cm x 43cm
+ -
Summer Beach, Harris
£2,500
35cm x 50cm
+ -
St Abbs Harbour
£2,500
35cm x 50cm
+ -
Broken Tree, Glen Clova
£3,500
50cm x 55cm
+ -
Blair Atholl Evening
£3,500
50cm x 55cm
+ -
Towards Rothiemurchus
£1,500
30cm x 30cm
+ -
Kilchurn Castle
£1,500
30cm x 30cm
+ -
Stonehaven from Ury
£3,950
60cm x 60cm
+ -
Duart Castle, Mull
£2,300
35cm x 45cm
+ -
Harbour and Hinterland
£5,900
65cm x 105cm
+ -
Orange, Lilies and Pears
£1,500
30cm x 30cm
+ -
Anemones and Polka Dots
£1,500
30cm x 30cm
+ -
Yellow Flowers and Pears
£1,500
30cm x 30cm
+ -
Autumn Table
£4,500
60cm x 65cm
+ -
Craigievar Castle
£3,500
+ -
Fruit, Flowers and Gin
£7,750
120cm x 80cm
+ -
Guitar, Shutters, Beach (Costa Suenos)
£4,750
60cm x 60cm
+ -
Kilchurn Castle
£3,500
50cm x 60cm
+ -
Luskentyre Beach, Harris
£4,000
50cm x 75cm
+ -
Mijas Pueblo
£900
20cm x 20cm
+ -
Positano Dreams
£1,750
30cm x 30cm
+ -
Ronda, Andalusia
£8,200
80cm x 120cm
+ -
Room with a View, Grassmarket
£1,750
30cm x 30cm
+ -
Summer Dreaming
£6,500
60cm x 110cm
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Last Run, Val d’Isere
£5,500
60cm x 90cm
+ -
Waterlilies and Goldfish
£3,900
90cm x 35cm
+ -
Windyedge Blue
£1,750
30cm x 30cm
+
Born in Dundee in 1948, Francis Boag is a leading figure amongst a group of painters often labelled the ‘New Scottish Colourists’. In a career spanning more than 50 years, he has taught in schools in Dundee, Perth and Aberdeen. His vivid, and instantly recognizable, paintings have found their way into a host of public buildings such as airports and hospitals and are sought after by large corporate collectors including John Lewis plc, Baxters Food Group and the Royal Bank of Scotland.
In 1964, at barely 17 years of age, I won a place at Duncan of Jordanstone College of Art and Design in Dundee and studied under the then Head of Painting, the larger than life, Scottish-Italian painter Alberto Morrocco and his Deputy David McLure, both of whom looked back to the great, pre-war French-based artists and had very little time for American Pop Art, even abstract expressionist artists like Jackson Pollock.
Upon graduation, Francis’ professional career was dictated by the rhythm of school life. After completing an MA at Gray’s School of Art in Aberdeen and nearly 30 years teaching, Francis decided to challenge the maxim, ‘those who can, do and those who can’t, teach’ and in 2001 went on to achieve a life-long ambition of making a career as an artist.
His paintings are less about copying a scene, than creating a representation of it, a representation which has to be on the one hand a recognisable place or space but also a world where the imagination is unleashed.
There’s an important feature of colour that Francis stumbled across quite early on; “Colour is what people expect of my work.”
Polls published in the press in Scotland and Ireland have both placed him in their lists of top 50 best-selling artists, and he is one of only a few artists who has work in the National Collections of both countries.
For many years he has donated images of his work to the children’s charity, UNICEF who have recently published a Box set of his Scottish landscapes and in 2015 his Christmas card design was UNICEF’s top seller, raising more than £35,000 for the Charity.